When did each of the major civilizations achieve it’s peak greatness? For the Muslim world, I’d say the Abbasid Caliphate, for India the Gupta Empire, for China the Song Dynasty, for the West the seventeenth century. It’s the obvious choice: Shakespeare, Cervantes, Milton, Racine, Galileo, Kepler, Descartes, Pascal, Leibniz, Newton. In terms of intellectual and cultural output, what century before or since could match it?
Two other notable things. First, the West achieved its greatest peak as a collection of separate sovereign monarchies, often “absolutist” (the age of Richelieu and Louis XIV). Whatever the Habsburgs may want to believe, Warring States periods are the rule for us, not an anomaly. Empire is not our characteristic form.
Second, the story one often hears, that the West advanced as “religion” retreated, is clearly untrue. the 1600s were not only peak Western creativity, but also peak Christian zeal. The 17th century enjoyed the fruits of the 16th century reforms, both Protestant and Tridentine, giving a better catechized laity and a better trained and disciplined clergy than ever seen during the “Age of Faith”. It was a heroic missionary age, with Matteo Ricci in the Chinese imperial court, the Japanese martyrs, the Jesuit Reductions. H. Daniel-Rops in his multivolume history of the Church calls this, the century of Francis de Sales, Vincent de Paul, Fenelon, and Bossuet, “the age of spiritual grandeur”. It was also the time of the West’s most terrible religious war. When peace came to Europe, it owed nothing to secularism or religious indifference/tolerance, whose partisans were still about a century in the future, but to the eminently realistic Westphalian system of clear dominance of one sect in each state.
Should we then speak of two 17th centuries, a religious and philosophical? There is no historical justification for doing so, since the great minds of this age were often deeply involved in the religious currents of their time (e.g. Pascal’s pro-Jansenist polemics, Newton’s fascination with Biblical prophesy).
Even clearer is the contrast with the 17th and 18th centuries. Religion declined under the assault of the Enlightenment, but scientific progress also markedly slowed. We don’t notice this only because the philosophes have successfully taken credit for the accomplishments of the previous generation. (Self-promotion was their one area of undoubted genius.) Now, one could say that whatever followed Newton’s Principia was bound to seem like a slow-down, but the relative scientific and literary slowdown of the 18th century is notable compared to both the 17th and 19th centuries. Both the 17th and 18th centuries evince a restlessness of the Western mind, but the 17th century was an age of exploration, while the 18th century was an age of criticism.
The exploratory spirit rests on the belief that there is an identifiable body of knowledge, often newly recognized, that mankind does not yet possess but that it is now in a position to acquire. Galileo’s quantitative study of constant acceleration puts him in an analogous position to the 17th century as Columbus was to the 16th. We’ve always known that heavy bodies fall, but thinking about exactly how things move, position as a function of time, opens up all sorts of new questions.
Critical thinking is quite different from the exploratory spirit. The critical thinker presumes to already have settled knowledge on all the major issues, to be in a position from which to attack and discredit whatever he takes to be the unjust established order. (Critical thinking always has a predetermined enemy and a pre-determined outcome.) For men like d’Holbach, Helvetius, Diderot, or Voltaire, all the problems of mankind were quite simple: just exterminate Christianity, especially Catholicism, and everyone will be happy, free, and rational. The French Enlightenment accomplished nothing nothing notable because as far as it was concerned there were no outstanding questions.
The philosophes got to try out their ideas, and the rule of Reason brought Terror in Paris, genocide in the Vendee, and war throughout Europe. By the early 19th century, the critical spirit that had been suffocating Europe, having so spectacularly discredited itself, began to subside, and the West had its second great exploratory epoch. We might perhaps start this around 1800 with Dalton’s atomic theory and the 1801 Concordat and end it in the mid-1960s. To this period belong the great discoveries of electromagnetism, statistical mechanics, the evolution of species, quantum mechanics, and genetics, as well as most of the English, French, and Russian novels most people know of as classics. Even the critics had a sort of exploratory spirit, as with the (bogus) claims of Marx and Freud to have uncovered new sciences. Again, it was a time of terrible wars, and again it was a time of great Christian vitality. Constant secularist attacks make this period no one’s idea of a Christian golden age, but the clergy were even more impressive than before, the age yielded a crop of saints and martyrs to match the Patristic Age, and there was another great effort of worldwide evangelization by Protestants as well as Catholics. Then began another critical age with the “spirit of Vatican II” Christian implosion, and there have been no really great works of art or scientific breakthroughs since.
All I have noted above is a correlation: the historical facts show that Western creativity is positively correlated with Christian vitality, not negatively correlated, as many have carelessly asserted in spite of the clear evidence. I have not argued that Christianity deserves all or most of the credit for these great ages of creativity. The 17th century was a thoroughly Christian affair, but the achievements of the 19th–early 20th century were shared by Christians, Jews, and atheists in comparable measure. And, of course, Christianity had already been the religion of a civilization for a millennium before this spectacular burst of creativity. (This is not to deny that Christendom from Theodosius to Copernicus was more culturally impressive than often acknowledged, nor that the 17th century built on its accomplishments in many ways.) Nor have I given an argument that Christianity is therefore a good thing. From the same evidence, Western creativity is also positively correlated with major wars.
It is possible that the two phenomena of exploration vs. criticism and religious zeal vs. skepticism are correlated because they share a common cause. Indeed this seems probable to me. The smug self-confidence of the new atheist is not the sort of attitude that leads to great breakthroughs. We have none of the great ambitions of past ages. The most impressive thing we can imagine doing is tearing down our own inheritance.
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